Syllabus
Contemporary World Art (Art 482)
Fall 2010
Tuesdays, Thursdays, Fridays 2, 11:30-12:30
Claypool-Young 111
Instructor: Joy Gritton
Office: Claypool-Young 110
Phone:
783-2762; e-mail:
j.gritton@moreheadstate.edu
Office Hours: Tuesdays,
Thursdays, Friday 2s, 10:30-11:30; 12:30-1:30 or by appointment
Text:
Required readings will be placed on reserve in the Camden Carroll library in xerox form, as well as on electronic reserve and/or will be available on the course web page in the form of links to websites. Please note that you are responsible for checking the course web page for each section to find the scheduled required readings.
Students will also be expected to utilize MSU’s library collections and Internet/World Wide Web research capabilties in preparing their assignments.
Please note that the course syllabus, assignments, and other resources are
available for you on line through my faculty website
(http://people.morehead-st.edu/fs/j.gritton).
Course
Description, Objectives and Format: This course will provide a world-wide survey of contemporary visual arts in historical context and will explore current issues in contemporary art, including debates surrounding constructs of identity, the relationship between art and popular culture, economic conditions surrounding art making and distribution, new technologies and their impact on the visual arts, ethnocentricism vs. cultural pluralism, censorship, and gender distinctions in art making, markets, and criticism. Class sessions will consist of slide lectures, video viewings, gallery visits, a field trip, guest speakers, interactive activities and group discussions. Questions and comments are encouraged. Regular office hours are also maintained for this purpose.
The course is designed to strengthen several of the competencies
required of students in the art program, such as understanding the
visual arts in relation to history and cultures, making connections
between the visual arts and other disciplines, and communicating about
art effectively in written and oral form. Students should also
find that the course helps them to reflect upon and assess the
characteristics and merits of the work of other artists as well as
their own, and may even find that their range of subject matter,
symbols, and ideas for content for works of art is greatly
broadened. Respect for the diversity of peoples, cultures, world
views and thought are essential to this pursuit of healthy intellectual
inquiry and creative exploration, and will be expected from both
faculty and students.
This course also addresses several of the New and/or Experienced
Teacher Standards at the Information, Knowledge, or Skill
Levels.
The Professional Certification for Teaching Art Folio located in the
Art Department Office provides specific information.
Grading:
The evaluation process in this course will focus on measuring a
student's grasp of important concepts (materials, techniques, styles),
as well as the larger issues presented in class and the
student's capability for independent, imaginative interpretation of
course material. Students will be responsible for (1) written reviews of speakers/readings/events, in addition to their class attendance and
participation with in-class activities (2) a Day of the Dead artwork and/or altar and contributions towards the event (3) a public art mural (4) a short class presentation on a contemporary art article. Graduate students will be responsible for (1) written reviews of speakers/readings/events, in addition to their class attendance and
participation with in-class activities (2) a Day of the Dead artwork and/or altar and taking leadership roles in sponsoring the event (3) a public art mural and taking leadership roles in organizing this project (4) a review of a book on a particular contemporary art issue/theme. Graduate students will have separate readings from undergraduates and will be held to higher standards in terms of analysis and writing their undergraduates. Each assignment
is
predicated upon knowledge of the course lectures, required readings,
and class discussions and is designed to encourage analytical thinking
and creative and thoughtful written expression. All assignments are to be submitted in hard copy form at the beginning of class on the due date--papers will not be accepted via e-mail. The required work
will receive the following numeric value:
Undergraduate Students
Class Participation/Reading,
Exhibit, and Guest Speaker Reviews 45 %
Day of the Dead Piece 20%
Day of the Dead Event 10 %
Mural 25%
____________________________________
100%
Graduate Students
Class Participation/Reading,
Exhibit, and Guest Speaker Reviews 25 %
Day of the Dead Piece 20%
Day of the Dead Event 10 %
Mural 25%
Book Review with Presentation
20%
____________________________________
100%
Grading Scale:
90-100 A 80-89 B 70-79 C 60-69 D 0-59 E
Americans
with Disabilities Act (ADA)
In compliance with the ADA, all students with a documented disability
are entitled to reasonable accommodations and services to support their
academic success and safety. Though a request for services may be
made at any time, services are best applied when they are requested at
or before the start of the semester. To receive accommodations and
services the student should immediately contact the Disability Services
Coordinator in the Office of Academic and Career Services, 223 Allie
Young Hall, 606-783-5188, www.moreheadstate.edu/acs/
Missed or
Late Projects: Late projects will not be accepted unless
the student has an approved, excused absence (such as serious
documented illness, death in the immediate family, or university
trip). Other excuses will only be accepted at the discretion of
the instructor.
Academic
Honesty: In accordance with the "Guidelines for dealing
with acts of academic dishonesty" outlined in The Eagle Student
Handbook (p. 26) instances of academic dishonesty or plagiarism ("to
take [ideas, writings, etc.] from [another] and offer them as one’s
own") will result in failure of the particular assignment and may
result in failure of the class, as well as other disciplinary
action. Record of the incident will also be maintained by the
dean of students.
Attendance:
Regular attendance in class is expected and essential. No more than two
unexcused absences are allowed before the class grade is affected (five
points for each additional absence will be deducted from the total
grade). Excessive absences usually result in poor student
performance.
Classroom
Etiquette : CELL PHONES ARE TO BE TURNED OFF BEFORE EACH
CLASS. This is disruptive to the instructor and your fellow
classmates. Unless prior permission has been obtained from the
instructor for emergency cases, your cell phone going off in class will
adversely affect the instructor's evaluation of your classroom
participation and, thus, your grade. You should also be prepared to
listen to class discussion and/or participate during class time.
If you need to sleep, do homework for other classes, or plan social
activities, please take one of your allotted absences to do so.
Being “present” in class is just that—being a full participant, not
simply being in your seat.
Campus
Safety: Emergency response information will be discussed
in class. Students should familiarize themselves with the nearest
exit routes in the event evacuation becomes necessary. You
should notify me at the beginning of the semester if you have special
needs or will require assistance during an emergency evacuation.
Students should familiarize themselves with emergency response
protocols at http://www.moreheadstate.edu/emergency
Schedule
of Lectures (Subject to Change)
Aug. 24
Introduction to the
Course
26 Art and the Public
31 Art and the Public cont.; Applications for both the Mural Project and Day of the Dead "job" due
Sept. 2 Field Trip: LEXARTS in Lexington
3 Art and Healing Public Art Readings responses due
7 Field Trip: D.O.V.E.S.; LEXARTS field trip responses due
9 Guest Speaker: public murals
14 Spirituality, Politics, and Art: Latin America
16 Guest Speaker: Contemporary Mexico
17 Latin America cont.
21 Themes in Contemporary Art; Initial Mural Sketches due
23 Themes in Contemorary Art
28 Themes in Contemporary Art; Day of the Dead proposals due
30 Themes in Contemporary Art; Mural Supplies/Materials List and Funding Proposal Due
Oct. 1 Guest Speaker: contemporary Middle East; Feminism and Art Reading Response Due; Presentations of Proposals to Area Businesses/University
5 The Middle East cont.; Day of the Dead poster, press release, event plan due
7 The Middle East cont.
12 The Middle East cont.; Middle East Reading Response due
14 FALL BREAK: NO CLASSES
19 Graduate Student Presentations on book critiques; Painting on Mural begins.
21 Guest speaker: Contemporary Africa; Day of the Dead menu plans due
22 Africa cont.
26 Africa cont.
28 Africa cont.; *All projects, altars, and decorations for Day of the Dead due*
Nov. 2
Day of the Dead Event: all food due
4 Day of rest: Day of the Dead reflection
5 Guest speaker: Contemporary China
9 Asia cont.
11 Asia cont.
16 Guest speaker: Contemporary India
18 Asia cont.; Mural publicity due: Press Release distributed
19 Eastern Europe and Russia
23 Eastern Europe and Russia cont.
25 Thanksgiving Break: NO CLASSES
30 Western Europe
Dec. 2
Western Europe cont.; Journal Responses due; Mural opening reception
7 Australia; Mural documentation (powerpoint/website) due
9 Student discoveries: 5 minute presentations
10 Student discoveries: 5 minute presentations
13 Finals week: 5 minute presentations continued if necessary